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Ultima in the mountain

2015

The Ultima vessels are made of thread and resin. They were standing in the water for several weeks without b
90-105 cm diam, 80-100 cm high Cotton, linen and hemp thread, hardened with resin.
I was curious to see the Ultima vessels as part of Kunst I Natur/ Art in Nature.
Making the Ultima vessels is for me a way to express our vulnerable lives and civilization, and I wanted to see what they would look like in these untamed natural environments.
Technically they managed very well, standing in the water for several weeks without being damaged.


Ultima in the pond

2018

In the autumn 2018 I had a solo exhibition at Romsdalsmuseet, the local museum in my hometown Molde. There is a pond at the museum area, and I used the opportunity to exhibit three of the Ultima vessels in the water.

II felt that in these surroundings, the vessels got a stronger symbolical effect, where the issue of the climate change and our vulnerability was strengthened.


Lost gardCelestial Bed/ Himmelseng.

2012

Gjertrud Hals and Christine Istad.

200x90x250 cm Mixed media (metal bed, wire, beard lichen, wool).

Celestial Bed. A place to contemplate, get inspired, energetic, to hide or relax. Made for Lost Garden, Henie Onstad Kunstsent
Celestial Bed was made for Lost Garden at Høvikodden. Lost Garden took place in the summer of 2012, initiated by the Visual Artists in Bærum and prepared in collaboration with Henie Onstad Art Centre.
Celestial Bed was made as a place to contemplate, get inspired, energetic, to hide or to relax, where the spectator was invited to lie down. The iron bedstead from 1910 had belonged to the opera singer Kirsten Flagstad (!) and was draped with beard lichen.
Beard Lichen is a unique organism, highly sensitive to environmental disturbances, functioning as nature’s own sensor.


Floating stone

2011

Gjertrud Hals and Torill Brosten.

We took the shape of an existing stone and constructed a new one.
The new floating stone relates to the origional one, however wit

Ca 200 x 100 x 80 cm. Metal wire mesh.

We took the shape of an existing stone and constructed an object that had a similarity with the real stone, trying to show the connection between them. The new, «floating stone» related to the original one, however with its own expression and identity


From here I can see the Valley/ Her kor eg står kan eg sjå dalen.

2009

Art in Nature/Kunst i Natur is an annual meetingpoint for international and local artists.
It takes place in Vengedalen, Isfjorden and is a part of Norwegian Mountain Festival/Norsk Fjellfestival.
From here I can see the valley/Her kor eg står kan eg sjå dalen. It is a classic landart piece, created of material  from the nearby surroundings, changing by time, going back to nature.

Gjertrud Hals and Torill Brosten.

Ca 80 x ca 500 cm. Moss, turf, peat.

Torill and I wanted to make a classic land art piece, created of material from the nearby surroundings. We ended up making a «moss river», linked to the Rauma river we could see deep down in the valley. We also wanted the artwork to change by time, and gradually go back to nature. The photos are taken through three summers, showing how the moss river gradually became more and more invisible.


Small pond/ Liten dam

2007

Small pond/Liten dam.

Diam ca 250, 40 cm high. Dyed roots from fur and birch trees.
Small Pond was a part of Kunst i Natur/ Art in Nature, that took place in the mountains near Isfjorden/Rauma. Kunst i Natur started in 2002, and has been an annual meeting point for international and local artists.
In 2007 I made a root structure over a small pond, in a way that made it look deeper and gloomier than it actually was.


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